I owe a lot to Italian literary sensation Elena Ferrante (and her English-language translator Ann Goldstein). Had it not been for the first of her Neapolitan novels, My Brilliant Friend, I might not have continued to review international literature on this blog after my 2012 year of reading the world came to an end.
The fact that I did so is testimony to the power of Ferrante’s work. I encountered it when Daniela Petracco at Ferrante’s English-language publisher, Europa Editions, contacted me about the Neapolitan series in 2014. I tried the first novel and was hooked. More, I knew I had to tell people about the books. And so my regular Book of the Month slot was born.
Last night, I had another Ferrante-related treat. I got the chance to preview the first episode of the eight-part adaptation of My Brilliant Friend in advance of its release on Sky Atlantic next week. I loaded up the episode and sat down on the sofa with that mixture of excitement and trepidation that reimaginations of loved books often inspire. Would this new incarnation do justice to Ferrante’s masterpiece? Would the onscreen world match my picture of it? And would the spirit of the story of the friendship between Lila and Elena in the brutal world of mid-20th century Naples thrive in this new medium?
Yes, is the short answer. The menace that so absorbed me in my first encounter with My Brilliant Friend is very much in evidence. Director Saverio Costanzo expertly captures the sense of threat woven through Ferrante’s story, using darkness, stillness and silence interspersed by short bursts of violent action and noise. Many of the most memorable episodes, such as Melina’s breakdown during the departure of her married lover and the savage punishment meted out by Don Achille to a man who speaks against him, throb with vitality.
This power is augmented by the use of observation and overlooking in the episode. The apartment building that provides the setting for much of the action is brilliantly chosen: from its small metal balconies, as in Ferrante’s novel, the inhabitants watch, hear and comment upon their neighbours’ dramas, providing an arresting visual metaphor for the claustrophobic poverty in which they live.
The quieter moments are compelling too. Some of the most striking scenes occur in the classroom, where Lila’s brilliance and unruliness make her at once powerful and vulnerable, particularly when she is obliged to pit her wits against rivals. Here, scenes often run longer than they might in other series, relying on Ludovica Nasti and Elisa Del Genio, the superbly cast child actors, to hold viewers’ attention.
It is also a delight to witness the story unfolding in its original language (with English subtitles). Although I imagined my way into Lila and Elena’s world through Goldstein’s translation, there was a magic in hearing the events presented in Italian. This was particularly true for the voiceover sections, which in common with many novel adaptations, such as Bruce Miller’s recent version of Margaret Atwood’s The Handmaid’s Tale, are lifted, at least partly, from the book.
Four years after I first visited Ferrante’s Naples, I found myself falling in love with it all over again. I’ll certainly be tuning in for episode two.
Episode one of My Brilliant Friend, directed by Saverio Costanzo, airs on Sky Atlantic on 19 November at 9pm.
Thank you Ann! I will follow up and read the books you have mentioned. I am waiting to hear from you when your next novel is coming. You are on top of my reading list as I finished your last novel on holiday in 4 days. Amazing! Thanks again for your inspiration today!Kind regards Mary Nahikian Sent from my Samsung Galaxy smartphone.
It is a wonderful book. I am just reading it…
The first episode premieres Sunday night here is Canada. I can’t remember if I have been this excited about a TV series. Thanks for your review, Ann.
I enjoyed the first volume better than the second. The translation somehow captures the essence of Italian for the English reader. The television presentation with subtitles is worth the effort to view and read and listen at the same time.
Arghh! I am reading the fourth novel now and would LOVE to see the adaptation, but don’t have Sky! I don’t know much about subscription TV – will it ever become available on ‘mainstream’ TV or do these things stay forever on the subscription channels? PS I also love your reviews, and have ordered the Polar bear book for my holiday reading 🙂 xx
I suspect it will become available to buy as a boxset at some point – if I find out more I’ll put an update here! Enjoy the Polar bear!