Guernica Press may not have been able to help with my Latvian query in time for the end of the year, but it came up trumps for Slovenia. As Mike explained when I emailed to ask about Nora Ikstena’s work, the company was just in the process of publishing a novel by Slovene author Luka Novak. It was called The Golden Shower or What Men Want – would I be interested in seeing a copy?
Not only was the title intriguing (if a little disconcerting), but Luka Novak sounded like quite a character in his own right. The co-host of a popular Slovenian TV cookery show and programme director of the Slovenian Book Fair, he ran a publishing house for 20 years, as well as launching what is apparently Eastern Europe’s first ever concept store. He also ran for Mayor of Ljubljana in 2006, speaks six languages, and has translated 20 books, including Julian Barnes’s Flaubert’s Parrot, into Slovenian.
Phew. I had to see what this one-man cultural extravaganza’s novel was like.
The book starts when a middle-aged psychiatrist and his younger actress girlfriend arrive in Provence, France, for a holiday, which he intends to spend writing a book of cultural essays. It’s not long, however, before their plans start to go awry and the couple, along with Orada, the doctor’s Bosnian masseuse neighbour back in Ljubljana, and a German mythology professor, find themselves caught up in a covert cultural, religious and political movement that aims to take over and remake the world in its own image.
Novak is great at making his characters reveal their inconsistencies through their actions and the stories they tell about themselves. From the brilliant portrait of procrastination in the early chapters, where the psychiatrist is always on the point of sitting down to write his essays but finds himself forced to seek refuge in glass after glass of rosé, to the constant shifting of ground that characterises his arguments with Larisa – during which the pair wander miserably around picturesque French towns, neither getting to do what they want to, with the fact of their childlessness only a Freudian slip away – the novel is full of instances of self-deception and people interacting at cross purposes.
This is helped greatly by Novak’s witty voice. Whether his characters are asserting the opinion that ‘in Ljubljana they’re incapable of making a coherent croissant’ or expressing home truths about the Bosnian War there is a pithiness to his writing that makes for absorbing reading. This is coupled with a series of great cameo characters. I particularly enjoyed the German couple at Ducasse’s country inn, who have planned out every minute of their holiday, barring the ‘five percent spontaneity they generously afford themselves on every trip’.
The humour is important because it buys Novak considerable slack when the narrative rises into the realms of the surreal, tugging at its moorings like a hot air balloon. Watching the plot move into farce after 80 pages or so – with kimono-sporting monks, religious SWAT teams, gender-morphing musicians and the President of Slovenia all dropping in under the watchful eye of the mysterious aesthete, Contractor – is disconcerting and would no doubt be off-putting if the novel weren’t so enjoyable to read.
The same is true of the clamour of philosophical and religious references in the narrative. These centre around Contractor’s desire to reconstruct religious tableaux for the modern age in an effort to create what is variously described as ‘a commercial for a better world’, a ‘pornographic invitation to rebellion’ and the basis for the ‘alteration of people’s very sensibility’. The whole thing might be unbearably pretentious in another writer’s hands, but in Novak’s it’s quirky, intriguing and odd.
That said, the book is not without its frustrations. Even with the general rule of thumb (broken occasionally with the story of the German mythology professor) that the chapters alternate between the experiences of the psychiatrist and Orada, it’s often hard to know where you are. I spent the beginning of several sections straining to catch a familiar reference so that I could work out who I was reading about – a tricky extra complication when you’re dealing with a plot that embraces randomness. In addition, there are some abrupt shifts that leave us scrabbling to catch up. In one paragraph, for example, Orada is watching the Venezuelan police seize an accomplice on the beach; in the next, Contractor is stopping his motorbike in some woods. It’s left to us to infer that Orada hopped on behind him.
All in all, though, this is an enjoyable and surprising novel. No doubt the plot and the subject matter will be too wacky for some readers, but if you give yourself over to it, the narrative sweeps you along, delivering a good helping of insights, thrills, spills and laughs along the way. Apparently, Novak is working on a second novel, this time about the mysterious death of an eccentric pianist-performer in 1980s Paris. I’m intrigued to see what that will entail…
The Golden Shower or What Men Want (Zlati Dez ali Kaj Hoce Moski) by Luka Novak, translated from the Slovenian by Urska Charney (Guernica Editions, 2012)