I knew this was going to be tricky when Catherine Teya, president of the Central African Republic Association of Europe (SEWA Europe), struggled to suggest a book from CAR that I could read in English. However, it wasn’t until I did a bit more detailed research into the state that I began to understand quite what the challenges were.
Riddled with unrest and pockets of lawlessness since it gained independence from France in 1960, CAR is one of the planet’s least developed and most isolated countries. Indeed, as award-winning photojournalist Spencer Platt explains in his 2008 dispatch from the country, it has to all intents and purposes been abandoned and forgotten by the rest of the world. With frequent coups and attempted coups forcing crisis after crisis on its impoverished citizens, most of whom will not live to see their 45th birthdays, it’s small wonder that very few books by writers in the country have made it into print in recent decades, let alone been translated into English.
However, although she was unable to recommend anything directly, Catherine Teya was nothing if not helpful. She sent me a number of links that might assist me in my quest, among them the website of Solidarité Franco Africaine, which features an overview of Central African writers. Perhaps one of these might have been translated in to English, she suggested.
As luck would have it, sloshing about in Amazon’s dankest recesses, I stumbled on a 1970 translation of a novel by Pierre Makombo Bamboté, one of the writers on Solidarité Franco Africaine’s list. There was no information, no summary and no picture. The book was in an ‘unknown binding’ and I could tell nothing about it beyond the date the English version was published, its title and the number of pages it had. Still, given the lack of anything else to go on, it had to be worth a shot.
First published in French in 1966, Les Randonnées de Daba (or Daba’s Travels from Ouadda to Bangui as the English version has it) follows young Daba as he leaves his parents’ village to visit friends and relatives around CAR and further his education. Moving between the Westernised milieu of his French boarding school and the rich rural traditions of the communities he stays with during his holidays, Daba develops a love for his country, as well as a desire to explore the rest of the world – and has some gripping adventures along the way.
Daba’s is a culture where storytelling is part of the furniture. From the very opening lines, in which Daba’s mother tells the tale of the will-o’-the-wisp bird, fielding her son’s comments and chiding him for questioning her skill as a narrator, the power of the oral tradition is clear. This comes across in the novel too: the text is frequently interspersed with stories told by adults the boy meets and the narrative itself has an organic feel, as though Bamboté is sitting just across from us, developing the story as he goes along.
This instinct for storytelling also manifests itself in the evocative descriptions that fill the book. Whether he is describing the ‘sparkling white wings of insects, looking like thousands of stars, [that] glittered in the headlights’ on a drive through the jungle, the way a crocodile’s tail ‘would suddenly spank the water and send a great sheet of white spray up into the air’, or Daba’s eerie sense of being followed when returning home from a day spent tracking lions with his friends, Bamboté is a master of transporting his readers into the midst of the places he describes.
Indeed, for all its exotic crocodile hunts and days off school because of prowling panthers, the book has a profoundly nostalgic feel. This is partly down to the author’s skill, which makes us yearn for a place we have probably never been (the presence of Daba’s French penfriend Guy throughout much of the book suggests that it was probably aimed at a European rather than a CAR readership), but it is also because of the look and feel of the book. With its illustrations sprawling over the pages like jungle creepers and the smell of its old pages, it reminded me of the books my mother gave me from her own childhood.
Now, 42 years after it was published, Daba’s Travels from Ouadda to Bangui and the handful of Bamboté’s other translated novels offer a rare window on a much-neglected and surely now much-changed corner of the globe. I wonder how long it will be before English-language readers get a chance to take another look.
Daba’s Travels from Ouadda to Bangui (Les Randonnées de Daba) by Pierre Makombo Bamboté, translated from the French by John Buchanan-Brown (Pantheon, 1970)