The tiny Kingdom of Swaziland doesn’t sound too promising when you’re on the hunt for world literature. According to the CIA World Factbook, it has the globe’s lowest life expectancy, with those born in 2011 only predicted to live an average of 31.88 years – just a year older than I am now.
Given such a bleak backdrop, I assumed any story I did find would be pretty solemn. So when The Modern Novel recommended Sarah Mkhonza’s self-published memoir Weeding the Flowerbeds, I was in for a surprise.
Recalling Mkhonza’s time boarding at Manzini Nazarene High School in the seventies, the book reflects on life in southern Africa in the years after Swaziland declared independence from British rule. With Apartheid and racism enshrined in the statutes of all the region’s nations, there is much for young girls Bulelo (Mkhonza), Sisile and Makhosi to struggle against, but there is also a wind of change blowing that promises more opportunities and possibilities for young women than ever before.
As in John Saunana’s novel The Alternative (my Solomon Islands book), boarding school with its British structures and legacy is a microcosm of the struggles the nation faces as it tries to shape an identity independent of its colonial past. From the prejudice against Zulu and the very anglocentric reading lists – including Shakespeare, the Victorian classics and The Flies of the Lord as one confused English teacher calls the book he has to give lessons on – to the continued religious efforts to teach the ‘saga of the cross […] to the children of Swazis who still believed in muti [magic] and sangomas’, Bulelo is surrounded by the attitudes of the old regime.
Mkhonza treats this with a great deal of humour, recalling how she and her classmates ‘wondered what the United States of England was like’. She is also refreshingly honest about the way she and her fellow students ‘used the power of the underdog toward white people’, bamboozling their British-born teachers with dialect and slang. This is nevertheless tempered with a great deal of affection for many of the staff and the opportunities her education gave her: ‘This is why you are reading this book,’ she writes at one point. ‘We had some very good teachers who were dedicated to teaching us’.
The memoir really comes alive in the passages where Mkhonza recalls her female friends and the challenges facing them as young women, a subject to which Mkhonza has devoted much of her adult life and because of which she was forced to leave Swaziland in 2003. Among the more serious accounts of the mistreatment of women in wider society, there are some wonderfully funny stories of the sisterly bond developed over boyfriends, whose letters came secretly to PO Box 315 Manzini (I wonder what would happen if we wrote to that address now?), and the covert reading of Drum magazine. Indeed, the brusque problem-page advice of Agony Aunt Dolly is too good not to share:
‘You are stupid if you think the man loves you and you are still in high school. You are stupid when you think an older man can love you better than his wife. If you have sex with him, you will become pregnant, and that will be the end of you.’
Powerful episodes aside, though, the narrative often lacks tension and a throughline to drive it forward. At times, particularly when Mkhonza reflects on the boredom that characterises much of school life, we can feel as though we are plodding with Bulelo from class to class and, like her, begin to wonder exactly why we are bothering. There are also some quirks with the writing style, which skips between the past and present tenses in a way that is too erratic for it to be deliberate.
Many of these problems could have been ironed out with the help of a sensitive editor, something that Mkhonza, as a self-publishing writer, was probably obliged to do without. As it stands, though, this is an intriguing and witty, if inconsistent, account of how a significant moment in Swaziland’s history played out in young lives. It is full of hope, and worth reading for Aunt Dolly alone.
Weeding the Flowerbeds by Sarah Mkhonza (Sarah Mkhonza, Xlibris, 2009)