As titles go, The Sexual Life of an Islamist in Paris has to be one of the most controversial out there. In fact, I got quite a few stares when I was reading this book on the Tube (no mean feat when you consider the sights you see on the East London line most days of the week).
One of the most anxious stares came from a young, blonde woman, who, when she saw me looking at her, switched on the radiant smile of the evangelical Christian. This impression was strengthened when the seat next to her became free and I sat down and saw that the title of the chapter she was reading was ‘The Lavish Grace of God’. All through the journey, I thought I could feel her twitching beside me, ready to pounce and tell me the good news.
However, if my neighbour had read the book, she would have found that there is a surprising lack of sex in much of it, albeit not for want of trying on the part of the protagonist. Having reached his fourth decade, Algerian-born banker Basile Tocquard, who ‘Frenchified’ his name as part of his attempts to shrug off North Africa and embrace Western culture, feels it is high time he moved out of his mother’s home and set himself up in a bachelor pad in the centre of town. There, he envisages, he will quickly dispense with his virginity and embark on a sexual odyssey among the city’s Caucasian goddesses.
He has reckoned without two things though: the powerful pull of his Islamic heritage, and the barriers in his own head. In addition, Basile’s story is related by a contemptuous female narrator, who makes fine capital out of the gap between his fantasies and the reality. As the novel progresses and Basile becomes increasingly deluded and paranoid, she strips his ambitions bare, revealing the contradictions and hollowness within.
Leïla Marouane is an exceptional writer, with a gift for making words pay their way. Every detail counts, from Basile’s ‘whitening creams and hair straightening sessions’ to the ‘poetry manuscripts’ he locks away in his desk drawer, building a rich picture that is at once funny, true and sad. This literary economy extends to the way that Marouane insinuates her female narrator into the text: at first sketched in only at the start of chapters and in the occasional footnote, but gradually making her presence felt everywhere.
Although the narrative is rooted in the clash between Islamic and Western culture, it is packed with universal insights about the attempts of younger generations everywhere to break away from what has gone before. As Basile sinks into madness in his efforts to deny his origins, the book excavates the foundations of identity, revealing the uneasy bargains we must all strike, whether between one culture and another or between the present and the past.
Inner peace, it seems, depends on an honest engagement with who we are and what we have been — sentiments with which I suspect my East London line neighbour would have heartily agreed. But then, who knows what her book was really about anyway?
The Sexual Life of an Islamist in Paris by Leïla Marouane (translated from the French by Alison Anderson). Publisher: Europa Editions (2010)