One of my earliest memories involves an audiobook. I must have been about three or four when, on a trip to my local library, a cassette of Shakespeare’s Romeo and Juliet caught my eye. My mother let me take it out and I remember sitting upstairs playing it over and over on a huge metal tape recorder. I couldn’t understand most of the words but I remember being impressed by their urgency and rhythm: something powerful was being expressed here.
Over the years that followed I listened to many story tapes. Even after my eyes learned to read words faster than the snappiest narrator could deliver them, I would still sometimes drift off to sleep to the strains of an old favourite. At one stage in my teens, I could often be found sitting in my bedroom knitting (I was an extremely cool kid…) while a classic novel played. Passages of Lorna Doone and The Mayor of Casterbridge still ring in my ears from time to time.
In my thirties, I rediscovered the joy of listening to stories and now frequently take audiobooks with me on my runs – recent highlights have included Arundhati Roy’s The Ministry of Utmost Happiness, Sarah Krasnostein’s The Trauma Cleaner and Trevor Noah’s Born a Crime.
So it is with great pleasure that I share the news that my next book, a novel called Crossing Over, will be coming out as an Audible Original title this month. Centred around an encounter between 87-year-old dementia sufferer Edie and Jonah, a traumatised Malawian migrant hiding in her barn, the book explores how, though we may never be able to comprehend other people perfectly, our interactions may lead us to a better understanding of ourselves. Bringing in research into British and Malawian history, and my experience of life on the UK’s south coast, where small boats of migrants have been arriving for several years, it builds on my interest in testing how altered mental states can disrupt storytelling, language and memory.
This is a subject I first ventured into with the help of my bi-polar heroine, Smudge, in my debut novel, Beside Myself. Just like that book, Crossing Over owes a great deal to my year of reading the world and the many extraordinary stories I have since read from beyond my national borders, which have taught me to imagine further and take greater risks in my writing than I would ever have otherwise dared. I hope it’s also a jolly good read.
What’s more, I’m thrilled to have a brilliant narrator reading my words. British actress Adjoa Andoh has brought to life parts in everything from Shakespeare plays to Doctor Who. She’s also a star in the world of audiobooks, with such outstanding novels as Chimamanda Ngozi Adichie’s Americanah and Naomi Alderman’s The Power to her name. I can’t wait to hear what she does with my work.
Crossing Over is available for preorder. If you are able to purchase a copy or tell your friends about it, you’ll make my day.