At first glance, there’s a huge contrast between Rizzoli Bookstore on Broadway and the Housing Works Bookstore Cafe, which was the subject of my first world bookshopper review. Where HW is charmingly quirky and a little worn round the edges, much like many of the titles on its shelves, Rizzoli gleams. And while a large part of the fun of visiting the former has to do with the fact you never know what lucky finds might leap out at you from the donated titles ranged on the shelves, curatorial flair and selectivity are the name of the game at Rizzoli, which reopened at 1133 Broadway last year, after closing its previous store on 57th Street.
On the day I go, the main window is given over to one title alone: Ancient Egypt Transformed: The Middle Kingdom. Copies of this lavish book – created to tie in with an eponymous exhibition, which was showing at the Metropolitan Museum of Art – are deftly stacked and propped to catch the eye of people passing along the snow-heaped sidewalk. Their uniformity is broken only occasionally by a Lonely Planet guide to Africa, several blue ceramic animals, a book on African art and a copy of Alaa Al Aswany’s The Automobile Club of Egypt – stylish touches that set off the handsome hardback admirably.
The same keen aesthetic sense is apparent when I get inside. Black pillars flank a harlequin marble floor. The wooden bookshelves shine warmly, proclaiming the subject matter of their contents in tasteful, serif font. Above them, a mural showing clouds against an azure sky softens the effect of the monochrome stone. Small wonder that the shop’s website proclaims it ‘the most beautiful bookstore in New York’ – someone has given its interior a lot of thought.
This appreciation of the visual finds its echo in the store’s merchandise. Substantial sections are given over to architecture, art, photography and design. Audrey Hepburn gazes coolly from the covers of many of the books devoted to fashion.
Similar care and taste goes into the selection of titles in the new fiction and new non-fiction sections too. I spot the latest offerings from international names such as Leila Aboulela, Per Petterson, Orhan Pamuk and Kenzaburō Ōe, as well as books by Stephen King, Sally Mann and Patti Smith.
There are also collectors’ items, such as the awesome The Complete Works of Primo Levi, edited by translation celebrity Ann Goldstein (she of Elena Ferrante fame). Housed in a glossy casing, this handsome three-volume celebration of the Italian holocaust survivor’s extraordinary oeuvre seems to demand lofty surroundings. I decide that if I wanted to buy it and own it, I would first have to sell my little flat and purchase somewhere much bigger, with a library handsome enough to do it justice.
Opposite the new fiction and non-fiction area, a literature section contains collections of essays – or what are described on the shelf as ‘belles lettres’ – as well as poetry and more paperback fiction. Allen Ginsberg rubs shoulders with Lena Dunham, and there are works by Mikhail Bulgakov and Peter Carey too.
Nearby, a stand of Italian- and French-language fiction tempts me for a moment to dust off my A-level French and try something in the original.
In the end, though, my head is turned by Nigerian-American writer and photographer Teju Cole’s novel, Every Day is for the Thief. (On the flight out of New York – during which I devour this novel in one go – I’m very grateful for this decision. Not only is this novel about a Nigerian man’s return to Lagos after years in the States exceptional – seriously, you should read it – but it occurs to me that I wouldn’t have been able to fit a French dictionary into my hand luggage. I resolve to schedule my next bout of French-language reading for a time when I am not in transit.)
As I queue to pay for the Cole and pick up a postcard bearing a tasteful photograph of the bookstore at the counter, I am struck by a thought. The care and attention that goes into choosing and presenting books beautifully at Rizzoli actually has a lot in common with the come-one-come-all eclecticism of Housing Works.
In their contrasting ways, both these distinctive stores are physical embodiments of a love of books and a desire to create a good environment in which to share them. At root, the people behind them share many of the same beliefs – that the written word is important and necessary, that it has power to make the world better, and that it should be showcased in a joyful space where people relish spending time.
I step out through the stylish glass door into the chill of the Manhattan winter. Already, I am eager to see where my world bookshopping will take me next…